Typologically, C11 is intended to consciously question the technically historically determined, traditional typology of four-legged chairs and to represent a solitary feature through the strikingly changed proportion AND still appear functional and stackable.
The functionality of the design is expressed in every perspective and every detail of the chair and, on the one hand, indicates that the object has a very objective formal appearance. The displayed proportion, which questions the semantics of four-legged chairs, creates a special visual tension.
There are very few design-historically relevant and global objects like the chair itself, the chair is a symbol, and yet one can also ask oneself the question of an “expansion” of the historically grown expectations, both functionally and visually.
In addition, a stacked situation should be able to create a graphic effect of the stacked pack and thus this situation should also be formally “effective”.
C11 draws its motivation from this desirable tension.
